Frankfurt/Main 2006, Revolver, 190 Seiten, zahlr. Abb.,
23,5 x 17 cm, broschiert, Englisch/Holländisch
In this issue of A Prior Magazine devoted to the work of Joe Scanlan, there is ample room to examine and explore the wide variety of relationships between art and its various institutions, and between art and the marketplace in particular. Phillip van den Bossche, Dieter Roelstraete and Raimundas Malasauskas variously analyse Scanlan´s interest in the political and economical aspects of the arts and the art business. At the same time, however, his work also reflects upon the status and position of the the artist within this context of political economy. The concept of authorship (authority as ownership) and the questions of identity and identification they trigger are directly enlightened in the collective practices of artists working together with other artists, as is shown in the network of collaborations between Joe Scanlan and Donelle Woolford, Lucy McKenzie, Paulina Orlowska, and Koenraad Dedobbeleer.
hrsg. von Els Roelandt, Special Issue über Joe Scanlan, Koenraad Dedobbeleer, Paulina Olowska, mit Texten von Dieter Roelstraete, Philipp van den Bossche, Raimundas Malasaukas, Aneta Szylak, Beatrice Josse, Helene Guenin, Thomas Wulffen, Brian Holmes, Rudi Laermans, Monika Szewczyk, Jon Ippolito.
Frankfurt/Main 2006, Revolver, 190 Seiten, zahlr. Abb.,
23,5 x 17 cm, broschiert, Englisch/Holländisch
